The Grinch

by REGGIE WOLTZ

The Grinch’s 2018 comeback is to Christmas what Black Friday is to the holiday spirit: commercially perverted to the core. But what else should be expected from a family animated movie that has been promoting an updated Christmas staple since the early days of November?

Benedict Cumberbatch is the new voice of the ill-tempered but lonely Grinch, who lives a solitary life in his cave high atop a mountain that overlooks Whoville. The miserable green guy has only Max, his faithful dog and best friend, to keep him company and, other than occasional trips to Whoville to get food, has nothing to do with his neighbors in the valley.

It’s during one of his reluctant shopping trips that the Grinch encounters Cindy Lou Who (Cameron Seely), a pig-tailed and fearless little girl with a precocious heart. For Christmas, she wants Santa to give her struggling single mother, Donna Lou Who (Rashida Jones), the break she needs and deserves. Only, Cindy Lou Who plans to trap Santa so that she can ask for her request in person.

Grinch, perturbed by family and friends gathering together to celebrate in Whoville, plans to dress up as a less-than-jolly Saint Nick to steal everything associated with the holiday and turn the town’s Christmas Day joy into grief.

In effect, our understanding of the Grinch’s motivations are the same and we get to see a little more into Cindy’s character. Sounds like a good way to add something late on so that the second half might not feel like retread! Unfortunately, albeit with a tad more set-up, the plot leads to the same Cindy and Grinch interaction and resulting events as the original version.

The Grinch does more than triple the running time of the original TV classic, which is to say this animated big-screen version is three times too long and ten times as unnecessary (much like Jim Carrey’s live-action How the Grinch Stole Christmas from 2000).

Other than padding the plot, backstories for the main characters, and additional comedic relief, The Grinch is ultimately faithful to its source material. But it never improves upon it – for it may look better with more advanced animation but underneath the paint job is the same old overpacked sleigh.

Most disappointingly, the voicework, outside of Cumberbatch’s starring role, is unmemorable. Of the notable failures, Pharrell Williams replacing Boris Karloff as the story’s narrator and Tyler, the Creator’s update of Thurl Ravenscroft’s “You’re a Mean One, Mr. Grinch” amount to interesting choices by the filmmakers that, despite trying, cannot replace either of those iconic performances. The same could be said of this Grinch update itself.

© Copyright 2017 – 2018. ALL Rights Reserved.
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